How many rappers from Rick Ross to Pusha T have you heard bragging about how they’re still spending drug money? Best believe they got it from Jay. This one isn’t about the complexity of the rhyme or wordplay but the swagger in which it is delivered and the impact. I’m from Marcy, I’m varsity, chump, you’re JV”įrom the iconic repeat of the hook to Jay reppin’ his home and schoolin’ the youth, Hov proves he was always on a higher level. You crazy, think your little bit of rhymes can play me? “Jay-Z, Big’ Smalls, nigga shit your drawers Some might say this line is cheesy (sorry) but we love it. “You ain’t seen money in your life, when itĬomes to this cheese y’all like Three Blind Mice”
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It’s hard not to crack a smirk and nod at the cleverness. His pops was just looking to get off but ended up with Hov. Tried to get a nut and he got a nut and what” “My pops knew exactly what he did when he made me, Who doesn’t love some good tennis wordplay? Jay tells listeners he’s running the US with his drug game (serving fiends) all while playing on the biggest tennis tournament (US Open), the sport’s scoring structure (advantage Jigga) and while referencing the star who’s serve was the greatest in the game. Serve like Sampress, play fake rappers like a campus” Let us know if we missed any of your favorites.
Check them out along with our explanation for each below. It’s his greatest lyrical effort and to celebrate it we thought what better way than to call out our 20 favourite lyrics from the classic. As Jay famously stated “I dumbed down for my audience to double my dollars, they criticize me for it but they all yell holla.” Reasonable Doubt was well before Jay considered simplifying anything. From the stellar production to Jay’s untouchable flow and swagger, to the lyrics…the lyrics. Arguably the greatest rap album of all-time, Reasonable Doubt is the blueprint of a classic within the genre. Even Michael Jackson, on his last contract with Sony, there was something like a 50-50 split.Twenty years ago today, Shawn “Jay Z” Carter dropped his debut album Reasonable Doubt. “It's very unusual,” Gordon said of Carter’s ownership of his masters. Where most artists would have to ask permission from their labels or publishers to take their music off a service, Carter can move his music from one service to another whenever he likes. Carter is in position to make moves like these because, unlike most of his Tidal co-owners and most musicians signed to record contracts, he owns his master recordings and the rights that come with them. Though Monday’s move attracted a lot of attention in the music press, the “Reasonable Doubt” move is unlikely to be part of a mass exodus of artists and their releases leaving Spotify. “The major labels, the indie labels are not getting enough money from Spotify, and they’re cranky,” Gordon said.
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A number of players, including Universal Music Group, which holds equity stakes in Spotify as well as most of its competitors, are reportedly pressuring Spotify to abandon that free tier and force users to pay. Instead, they use an array of ad-supported offerings available on desktop and mobile devices.Ĭompetitors including Google Play Music, Beats Music, Rhapsody and Deezer, either offer no free tier at all or one that delivers a Pandora-like experience, in which users can only listen to curated playlists or radio stations. Spotify's 60 million users are far more than the totals of any competitor that's released numbers, and it is also using an ad-supported tier to drive most of that growth three quarters of Spotify's active users are not paying subscribers. Tidal and its competitors have a number of reasons to apply pressure. While Carter's move was mostly symbolic - the lion’s share of his catalog remains on Spotify – it sends the message that he and his Tidal co-owners will be making an effort to stigmatize Spotify, the leader in an increasingly competitive market for on-demand streaming music services. “It was completely logical for him to pull his record from Spotify,” said Steve Gordon, a former attorney at Sony Music Entertainment and the author of “The Future of the Music Business.”
“Reasonable Doubt” is also available for streaming on Tidal, the service Carter and a consortium of investors purchased for $56 million earlier this year. Tidal co-owner Jay Z, whose real name is Shawn Carter, pulled his major label debut, 1996’s Reasonable Doubt, off Spotify yesterday, but kept it on some of its competitors’ services, including Rdio and Google Play Music. A big gun fired a symbolic shot in the battle over streaming music Monday.
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